The Sympathizer

I am reminded in reading the block-like, densely packed pages of Viet Thanh Nguyen's novel, The Sympathizer, of Conrad or Melville, not only for the complexity and precision of the prose but for the monster and the enigma lurking between and beneath the lines, the heart of darkness, the white whale: the Vietnam War, the meaning of which is forever both brutally present and bitterly elusive. 

The novel concerns the testimony/confession of a communist sympathizer, long embedded in the staff of a South Vietnamese general; half white, half asian; half Eastern, half Western, a living dichotomy of cultures, ideologies, sensitivities and, yes, sympathies.

Here I present a rather long segment of the narrative as an example of the sheer deliciousness of Nguyen's voice, for this is a novel chock full of such shimmering passages and well deserving of the literary acclaim it has received.

 Bang bang was the sound of memory's pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend's guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewey lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the working men who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one's shirt by afternoon, the stickiness of one's lover by the end of love making, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother's hands; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.