On equipping for a trip to hell and back:
She had flashlights, iodine, matches, rope, bandages, and a hypothermia blanket. She had a new, sparkling pack of Barkles' Chalk and every reliable map of Hell she could find in the University library carefully reproduced in a laminated binder. (Alas, they all claimed different typographies--she figured she would get somewhere high up and choose a map when she arrived). She had a switchblade and two sharp hunting knives. And she had a volume of Proust, in case at night she ever got bored. (To be honest she had never gotten round to trying Proust, but Cambridge had made her the kind of person who wanted to have read Proust, and she figured Hell was a good place to start.)
--Katabasis, R.F. Kuang.
I have been eagerly looking forward to starting R.F. Kuang's new novel, Katabasis, waiting only to finish the Indonesian language version of Stephen King's Misery first, which I have now done. (And which by the way, is far creepier than I remember it being, and creepier than the movie as well. I first read Misery many years ago, and so my memory of the novel itself was a bit vague. I remembered the movie version better, for I had seen it more recently and I have seen it more than once. But the movie, as I now realize, left out a number of truly chilling details.)
But back to Kuang...
Katabasis, in ancient Greek, means The story of a hero's descent to the underworld, and this is quite literally, not at all figuratively, what Alice, the hero of this novel, and her sidekick Peter do in this delightfully comical tour of the nether regions, guided on their way by the necessarily imperfect knowledge and wisdom, the tartarology, of the ancient greats--Dante, Orpheus, Plato, Aeneas and the rest of the whole crew--Oh, and throw in TS Eliot, though not so very ancient. By page 6, where the bit about Proust appears, I was laughing out loud, and I've been chuckling ever since through the next 130 pages or so.
For a literary person, or one familiar with academia, this novel touches a symphony full of familiar chords. It is kind of like Kuang's previous novels, Babel and Yellowface, only on hallucinogenic drugs. On the other hand, it will surely be unsatisfying to those who enjoyed her fantasy trilogy, the Opium Wars (which I did not. Sorry, R.F.).
I love the playfulness here, the tongue in cheek humor, the vast sweep of literary, religious, and philosophical references all spilled out across the narrative plane like tiddlywinks in the search of a stable pattern. Who knew that the twisting path through Hell would lead to such pleasant reading!